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Programming Highlights & More<\/strong><\/h2>\n\n\n\n- ON AIR<\/strong> \u2013 Throughout the day on July 4th, All Classical Portland\u2019s programming will include works written and performed by American composers, soloists, orchestras, conductors, and musicians.<\/li>
- FRIDAY HAPPY HOUR<\/strong> \u2013 On Friday, July 1, 2022 at 5:00 PM PT, hosts Warren Black<\/strong> and Christa Wessel<\/strong> featured new takes on classics by George Frideric Handel, including his Music for the Royal Fireworks<\/em> Suite. Listen to the episode on demand until July 15, 2022<\/a>.<\/strong><\/li>
- SATURDAY MATINEE<\/strong> \u2013 On Saturday, July 2, 2022, host Warren Black<\/strong> shared music by American composers, and musicians, including a selection from William Grant Still’s The American Scene<\/em>. Originally composed in 1957 for the NBC Radio Network, Still’s set of orchestral suites depict different regions of the United States.<\/li>
- THE SCORE<\/strong> \u2013 Host Edmund Stone<\/strong> celebrated the birth of the United States of America on The Score on Saturday, July 2, 2022, with music from Lincoln<\/em>, Born on the Fourth of July,<\/em> Remember the Titans<\/em>, and more. Listen to the episode on demand until July 16, 2022<\/a><\/strong>.<\/li>
- ARTS BLOG<\/strong> \u2013 Celebrating Composers Who Emigrated to America<\/a> by Emma Riggle.<\/li><\/ul>\n\n\n\n
\n\n\n\nFive “Can’t Miss” American Pieces for Independence Day<\/strong><\/h2>\n\n\n\n<\/div>\n\n\n\n\n\n![\"Leonard](\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2022\/06\/Leonard_Bernstein.jpg\")
Image courtesy of Wikimedia Commons.<\/em><\/em><\/figcaption><\/figure><\/div><\/div>\n\n\n\n\nLeonard Bernstein’s Overture to Candide<\/em><\/strong><\/p>\n\n\n\nBernstein<\/strong>‘s exuberant Overture to Candide<\/em><\/strong><\/a> was originally written in 1956 to accompany a then-unsuccessful Broadway musical. After countless revivals without the composer’s involvement, Bernstein decided to revisit the work in 1988 to produce his ultimate version based on a revival by the Scottish Opera. <\/p>\n\n\n\nThe Overture features a dazzling display of musical sparks and fanfare.<\/p>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nFlorence Price\u2019s Symphony No. 1<\/strong><\/p>\n\n\n\nPrice<\/strong>‘s iconic work was the first symphony by a Black woman to be performed by a major American orchestra. Completed in 1932, her piece was premiered by the Chicago Symphony Orchestra and conducted by Frederick Stock in June 1933.<\/p>\n\n\n\nThe symphony reflects Price’s experience as a woman of color in the post-Civil War South, and incorporates elements of African-American spirituals, church hymns, and American folk music.<\/p>\n<\/div>\n\n\n\n
\n![\"Florence](\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2022\/01\/Florence-Price-819x1024.jpg\")
Portrait of Florence Price by G. Nelidoff, courtesy of Special Collections, University of Arkansas Libraries. <\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\n![\"Photo](\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2022\/06\/Aaron_Copland_1970.png\")
Image courtesy of Wikimedia Commons.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\nAaron Copland\u2019s El Sal\u00f3n M\u00e9xico<\/em><\/strong><\/p>\n\n\n\nCopland<\/strong>‘s symphonic El Sal\u00f3n M\u00e9xico<\/em> was written during 1932 and completed in 1933. The work was inspired by the composer’s first trip to Mexico, and its melodies drew on those found on sheet music Copland purchased during the trip. <\/p>\n\n\n\nWhile visting Mexico, Copland’s friend Carlos Ch\u00e1vez<\/a> took him to a nightclub called “El Sal\u00f3n M\u00e9xico<\/em>.” The outing inspired Copland to incorporate elements of dance hall and the country’s complexities into his new piece.<\/p>\n\n\n\n<\/p>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nJeffrey Tyzik’s Fantasy on American Themes<\/em><\/strong><\/p>\n\n\n\nGRAMMY Award winner Jeff Tyzik<\/strong> is one of America’s most innovative and sought-after pops conductors. This Independence Day, you’ll hear the Oregon Symphony Pops conductor’s Fantasy on American Themes<\/em>. <\/p>\n\n\n\nFeaturing cascading strings and rhythmic brass and woodwinds, the piece incorporates music <\/a> from classics such as Yankee Doodle<\/em>, America the Beautiful<\/em>, and When Johnny Comes Marching Home<\/em>.<\/p>\n<\/div>\n\n\n\n\n![\"Conductor](\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2022\/06\/Jeffrey-Tyzik.png\")
Image courtesy of Jeff Tyzik’s website.<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\n![\"\"](\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2022\/06\/John_Philip_Sousa.png\")
Image courtesy of Wikimedia Commons.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\nJohn Philip Sousa\u2019s The Stars and Stripes Forever<\/em><\/strong><\/p>\n\n\n\nIt would not be the Fourth of July without Sousa<\/strong>‘s patriotic march! Written in 1896, The Stars and Stripes Forever<\/em> was named the official National March of the United States of America by Congress in 1987.<\/p>\n\n\n\nSousa wrote the memorable march on Christmas Day while vacationing in Europe with his wife, when he became homesick<\/a> for the USA. <\/p>\n<\/div>\n<\/div>\n\n\n\n
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Five “Can’t Miss” American Pieces for Independence Day<\/strong><\/h2>\n\n\n\n<\/div>\n\n\n\n\n\nImage courtesy of Wikimedia Commons.<\/em><\/em><\/figcaption><\/figure><\/div><\/div>\n\n\n\n\nLeonard Bernstein’s Overture to Candide<\/em><\/strong><\/p>\n\n\n\nBernstein<\/strong>‘s exuberant Overture to Candide<\/em><\/strong><\/a> was originally written in 1956 to accompany a then-unsuccessful Broadway musical. After countless revivals without the composer’s involvement, Bernstein decided to revisit the work in 1988 to produce his ultimate version based on a revival by the Scottish Opera. <\/p>\n\n\n\nThe Overture features a dazzling display of musical sparks and fanfare.<\/p>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nFlorence Price\u2019s Symphony No. 1<\/strong><\/p>\n\n\n\nPrice<\/strong>‘s iconic work was the first symphony by a Black woman to be performed by a major American orchestra. Completed in 1932, her piece was premiered by the Chicago Symphony Orchestra and conducted by Frederick Stock in June 1933.<\/p>\n\n\n\nThe symphony reflects Price’s experience as a woman of color in the post-Civil War South, and incorporates elements of African-American spirituals, church hymns, and American folk music.<\/p>\n<\/div>\n\n\n\n
\nPortrait of Florence Price by G. Nelidoff, courtesy of Special Collections, University of Arkansas Libraries. <\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nImage courtesy of Wikimedia Commons.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\nAaron Copland\u2019s El Sal\u00f3n M\u00e9xico<\/em><\/strong><\/p>\n\n\n\nCopland<\/strong>‘s symphonic El Sal\u00f3n M\u00e9xico<\/em> was written during 1932 and completed in 1933. The work was inspired by the composer’s first trip to Mexico, and its melodies drew on those found on sheet music Copland purchased during the trip. <\/p>\n\n\n\nWhile visting Mexico, Copland’s friend Carlos Ch\u00e1vez<\/a> took him to a nightclub called “El Sal\u00f3n M\u00e9xico<\/em>.” The outing inspired Copland to incorporate elements of dance hall and the country’s complexities into his new piece.<\/p>\n\n\n\n<\/p>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nJeffrey Tyzik’s Fantasy on American Themes<\/em><\/strong><\/p>\n\n\n\nGRAMMY Award winner Jeff Tyzik<\/strong> is one of America’s most innovative and sought-after pops conductors. This Independence Day, you’ll hear the Oregon Symphony Pops conductor’s Fantasy on American Themes<\/em>. <\/p>\n\n\n\nFeaturing cascading strings and rhythmic brass and woodwinds, the piece incorporates music <\/a> from classics such as Yankee Doodle<\/em>, America the Beautiful<\/em>, and When Johnny Comes Marching Home<\/em>.<\/p>\n<\/div>\n\n\n\n\nImage courtesy of Jeff Tyzik’s website.<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n<\/div>\n\n\n\n\n\nImage courtesy of Wikimedia Commons.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n\nJohn Philip Sousa\u2019s The Stars and Stripes Forever<\/em><\/strong><\/p>\n\n\n\nIt would not be the Fourth of July without Sousa<\/strong>‘s patriotic march! Written in 1896, The Stars and Stripes Forever<\/em> was named the official National March of the United States of America by Congress in 1987.<\/p>\n\n\n\nSousa wrote the memorable march on Christmas Day while vacationing in Europe with his wife, when he became homesick<\/a> for the USA. <\/p>\n<\/div>\n<\/div>\n\n\n\n
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Leonard Bernstein’s Overture to Candide<\/em><\/strong><\/p>\n\n\n\n Bernstein<\/strong>‘s exuberant Overture to Candide<\/em><\/strong><\/a> was originally written in 1956 to accompany a then-unsuccessful Broadway musical. After countless revivals without the composer’s involvement, Bernstein decided to revisit the work in 1988 to produce his ultimate version based on a revival by the Scottish Opera. <\/p>\n\n\n\n The Overture features a dazzling display of musical sparks and fanfare.<\/p>\n<\/div>\n<\/div>\n\n\n\n Florence Price\u2019s Symphony No. 1<\/strong><\/p>\n\n\n\n Price<\/strong>‘s iconic work was the first symphony by a Black woman to be performed by a major American orchestra. Completed in 1932, her piece was premiered by the Chicago Symphony Orchestra and conducted by Frederick Stock in June 1933.<\/p>\n\n\n\n The symphony reflects Price’s experience as a woman of color in the post-Civil War South, and incorporates elements of African-American spirituals, church hymns, and American folk music.<\/p>\n<\/div>\n\n\n\n Aaron Copland\u2019s El Sal\u00f3n M\u00e9xico<\/em><\/strong><\/p>\n\n\n\n Copland<\/strong>‘s symphonic El Sal\u00f3n M\u00e9xico<\/em> was written during 1932 and completed in 1933. The work was inspired by the composer’s first trip to Mexico, and its melodies drew on those found on sheet music Copland purchased during the trip. <\/p>\n\n\n\n While visting Mexico, Copland’s friend Carlos Ch\u00e1vez<\/a> took him to a nightclub called “El Sal\u00f3n M\u00e9xico<\/em>.” The outing inspired Copland to incorporate elements of dance hall and the country’s complexities into his new piece.<\/p>\n\n\n\n <\/p>\n<\/div>\n<\/div>\n\n\n\n Jeffrey Tyzik’s Fantasy on American Themes<\/em><\/strong><\/p>\n\n\n\n GRAMMY Award winner Jeff Tyzik<\/strong> is one of America’s most innovative and sought-after pops conductors. This Independence Day, you’ll hear the Oregon Symphony Pops conductor’s Fantasy on American Themes<\/em>. <\/p>\n\n\n\n Featuring cascading strings and rhythmic brass and woodwinds, the piece incorporates music <\/a> from classics such as Yankee Doodle<\/em>, America the Beautiful<\/em>, and When Johnny Comes Marching Home<\/em>.<\/p>\n<\/div>\n\n\n\n John Philip Sousa\u2019s The Stars and Stripes Forever<\/em><\/strong><\/p>\n\n\n\n It would not be the Fourth of July without Sousa<\/strong>‘s patriotic march! Written in 1896, The Stars and Stripes Forever<\/em> was named the official National March of the United States of America by Congress in 1987.<\/p>\n\n\n\n Sousa wrote the memorable march on Christmas Day while vacationing in Europe with his wife, when he became homesick<\/a> for the USA. <\/p>\n<\/div>\n<\/div>\n\n\n\n
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